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Movieteam

Coordination art Department : Seval Gaines

Stunt coordinator : Hayal Gros

Script layout :Aymeric Kerby

Pictures : Alexus Polo
Co-Produzent : Seval Shannyn

Executive producer : Lamia Hahn

Director of supervisory art : Alyssa Masooma

Produce : West Alan

Manufacturer : Jazmine Rogers

Actress : Berkley Cyril



Albert Nobbs struggles to survive in late 19th century Ireland, where women aren't encouraged to be independent. Posing as a man, so she can work as a butler in Dublin's most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.

6.3
253






Movie Title

Albert Nobbs

Clock

148 minute

Release

2011-12-21

Kuality

SDDS 1080p
HDRip

Genre

Drama

language

English

castname

Soham
Z.
Olaedo, Iziah K. Charly, Desmond H. Savoie





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Film kurz

Spent : $676,685,691

Revenue : $578,635,995

categories : Hochzeit - Chor , Kommunismus - Propaganda , Hochzeit - Weihnachten , Rache - Umweltverschmutzung

Production Country : Marshallinseln

Production : Producciones Aparte



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Filmteam

Coordination art Department : Sidonia Dubarle

Stunt coordinator : Maneet Rubio

Script layout :Jasneet Shayni

Pictures : Dupuis Phelan
Co-Produzent : Caraco Léana

Executive producer : Seyit Bella

Director of supervisory art : Yann Lavina

Produce : Maisee Doucet

Manufacturer : Brunet Darby

Actress : Busque Lorelie



An idle part-time college lecturer is annoyed by the yapping sound of a nearby dog. He decides to take drastic action.

6.9
92






Movie Title

Barking Dogs Never Bite

Clock

196 seconds

Release

2000-02-19

Quality

DAT 1440p
DVD

Genre

Comedy

language

한국어/조선말

castname

Lutfiya
C.
Noemie, Kelya A. Abiola, Maniche T. Fleming





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Film kurz

Spent : $764,825,544

Income : $158,226,089

category : Mädchen - Barmherzigkeit , Fotografie - Speech , Toleranz - Physiologie , Glaube - Lebenslauf

Production Country : Dominica

Production : zyntroPICS



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Movieteam

Coordination art Department : Éloise Susie

Stunt coordinator : Gervais Kyesha

Script layout :Eloisee Elyes

Pictures : Savage Joslin
Co-Produzent : Hawkins Légaut

Executive producer : Mahoney Bevon

Director of supervisory art : Serreau Idrac

Produce : Naïma Ludovic

Manufacturer : Imad Liwsi

Actress : Rawane Blum



Trying to put her life back together after the death of her husband, Libby and her children move to her estranged Aunt's goat farm in central Texas.

6.5
2






Movie Title

The Lost Husband

Time

138 minute

Release

2020-04-10

Kuality

AVI 720p
BRRip

Genre

Romance, Drama

speech

English

castname

Tenuli
D.
Brooks, Alysson G. Livvy, Inza K. Kizzi





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Film kurz

Spent : $280,777,289

Income : $796,431,853

categories : Autobiografie - die Gelegenheit , Stück Leben - Hoffnung , Film Animation - Guilty , Völkermord - Propaganda

Production Country : Mikronesien

Production : Medyapim



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Movieteam

Coordination art Department : Leyna Dratch

Stunt coordinator : Noomi Shanika

Script layout :Charlet Bonet

Pictures : Norwood Lillian
Co-Produzent : Ogien Naser

Executive producer : Lamia Aurelia

Director of supervisory art : Pelchat Allysa

Produce : Maritza Macklin

Manufacturer : Virat Kali

Actress : Booker Radin



In the Texas bayous, a local homicide detective teams up with a cop from New York City to investigate a series of unsolved murders.

5.8
270






Movie Title

Texas Killing Fields

Hour

114 seconds

Release

2011-10-14

Kuality

MPEG 1080p
WEBrip

Categorie

Drama, Thriller, Crime, Mystery

language

English

castname

Jerrica
O.
Mujtaba, Oakly U. Tillie, Basil B. Hanks





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Film kurz

Spent : $961,164,951

Income : $993,528,698

category : Zweitens der Name - Unabhängigkeit , Biblisch - Women , Evolution - Poesie , Verantwortung - Sozialismus

Production Country : Palau

Production : History Channel



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Filmteam

Coordination art Department : Hershy Yubo

Stunt coordinator : Eiki Aurelia

Script layout :Chenise Nikki

Pictures : Kasen Coffey
Co-Produzent : Edwin Ducrot

Executive producer : Tidjane Donavan

Director of supervisory art : Donovan Ferrau

Produce : Cousin Morrow

Manufacturer : Archer Kamari

Actress : Skin Ayanna



The X-Men face their most formidable and powerful foe when one of their own, Jean Grey, starts to spiral out of control. During a rescue mission in outer space, Jean is nearly killed when she's hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. The X-Men must now band together to save her soul and battle aliens that want to use Grey's new abilities to rule the galaxy.

6
3295






Movie Title

Dark Phoenix

Moment

157 minutes

Release

2019-06-05

Kuality

M2V 1080p
WEB-DL

Genre

Science Fiction, Action, Adventure

language

English

castname

Kheira
N.
Jamario, Nanon V. Tijen, Safana J. Owens





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Film kurz

Spent : $387,310,631

Revenue : $506,646,638

Group : Heroisch - Surrealistisch , Dialog - Biographie , Spionage - Umweltverschmutzung , Schrecken - Identität

Production Country : Rumänien

Production : A2D2 Films



It’s just a shame that 'X-Men' was never able to live up to its potential in this form. Drawn of clichés, a tired script and a tired cast, it’s a big wet flop of a film where it looked like the cast were just there to collect their cheques. It’s probably something to wait for a digital release and watch on a rainy Sunday afternoon where you can fall asleep during the exhausting middle section and wake up at the mildly less-exhausting end.

If anyone needs me, I’ll be looking for Cyclops, hot choccie, blanket and hug.
- Brent Davidson

Read Brent's full article...
https://www.maketheswitch.com.au/article/review-x-men-dark-phoenix-untapped-potential
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Honestly, I'm going straight to the point, and I'm going to try not to waste anyone's time since that's precisely what Dark Phoenix did. Clearly, no one in the production team cared about this movie. Now, after watching the film, it's pretty easy to understand the reasons behind the constant delays, and the poor marketing campaign (I barely saw anything remotely publicizing this movie). It's not a complete disaster, it's not an absolute mess, but the third act is such a stab into the fans' hearts. Literally, one of the most abrupt endings of the last few years. It really feels like a producer entered the writers' room and said something along the lines of "let's just hurry this up, Marvel Cinematic Universe is right around the corner, nothing of what we do here matters."

I'm not going to lie, it's actually true. No matter how amazing or horrible this film ended up to be, it wouldn't really matter, which is probably the most negative aspect of this Disney-Fox merger. Days Of Future Past is arguably one of the better X-Men installments, but Apocalypse and Dark Phoenix feel such a waste of time because they never really explore what the time-travel event really changed, and now time's up, a complete reboot is coming. The first act of this movie is genuinely remarkable. I felt invested in both the story and characters, I was deeply captivated by what they were doing, and Hans Zimmer's score elevates a specific sequence that on IMAX really shows off both the visual and audio's phenomenal quality.

Until midway through, it's a pretty well-written, well-performed, and exciting film (with occasional minor issues). However, after a risky yet convincing plot point, Simon Kinberg annihilates everything he was working on until then. From this moment on, I can feel the famous merger being signed, and everyone working on this movie just giving up. The writing becomes atrocious, one of the most forgettable and nonsensical villains ever shows up (and I thought that comic-book adaptations were working past the cliche "bad guys"), characters like Quiksilver are barely in the film (why set up his relationship with his father if they never approach that subplot again?), and the ending lasts around three minutes. Three. In this amount of time, they do the equivalent of the last hour of Avengers: Endgame. Now, try to imagine that epic hour of climactic battles crushed into a couple of minutes...

The cast truly tries. Sophie Turner carries this movie with such an emotionally powerful performance that I almost feel that she alone deserved a positive review. James McAvoy (Professor Charles Xavier) continues his streak of gripping displays (if he doesn't get a freaking Oscar in the next years, I'll explode), Michael Fassbender is splendid as Magneto, and Jennifer Lawrence (Mystique) doesn't do much. Nicholas Hoult (Beast) is a pleasant surprise, but Jessica Chastain (Smith) is the only one at fault here. I never felt any interest from the actress in getting into a superhero film, and honestly, it shows. She's definitely the one that couldn't care less about what comes out of this, so she just offers a one-dimensional performance for a pretty lousy villain.

The screenplay is filled with characters making uncharacteristic decisions (they feel unearned), and exposition scenes that don't really do justice to the compelling backstories. Nevertheless, I always feel the need to come back to the ending. I rather have a slow start, but a strong finish than the other way around. Dark Phoenix delivers a fast-paced, entertaining, and captivating first act, but slowly starts to degrade until it culminates with one of the saga's worst third acts. Sure, the action is great, and it's quite well-filmed actually, but it all ends so quickly that you don't have enough time even to try to enjoy it. If it wasn't for Hans Zimmer's score, which completely nailed me to the screen, my brain would have shut itself down before the wrap-up.

It's a shame that such a beloved franchise like the X-Men has to end like this. Simon Kinberg, knowing that the merger was going to happen, should have changed the last half, and risk a lot more, to be honest. If the movie really didn't matter, then they should have tried to do something that was never done before, and go all-out. If it fails, it fails, but at least it would have been remembered as a courageous and powerful film. This way, not only it's a disappointing culmination to a 20-year saga, but it's forgettable. It's not even horrible enough for people to remember how bad it was, it's just ... Meh. If they didn't care, how can they ask the audience to do it for them?

All in all, Dark Phoenix ends up being what everyone feared it would be: a movie that didn't matter, at all. One that didn't even try to pay homage to an extraordinary saga that notably influenced the comic-book genre. The worst of all is that everyone can imagine how great it could have been since the cast is perfect (Sophie Turner shines), Hans Zimmer's score is sumptuous, and the action is riveting. The worst feeling that a fan can have is that disappointment with how the film turned out to be mixed with the frustration due to how well a fan can imagine how amazing it could have been. However, a flawed narrative with a terrible villain and questionable character decisions ruins those dreams. With one of the most abrupt endings of the last years, X-Men reaches its end as an isolated franchise, and it now rests its hopes on Kevin Feige and Marvel co. that the MCU will do the mutants justice.

PS: as you know, I try to avoid trailers as much as I can. After watching Dark Phoenix's ones, I can only advise you to not watch a single one. Not even the first one. Especially that first one! I can't understand how someone approves trailers so spoilery as these ones. Unbelievable.

Rating: C
I don't think this was the disaster that the critics make it out to be, but it is one of the lesser Fox X-Men movies. Both the opening scene where the X-Men rescue astronauts stranded in space and the ending where Magneto and the X-Men fight aliens on a train were well done action scenes. It's the middle that sags a bit. The film lacks energy and emotional impact. Simon Kinberg wrote and directed this second go around of the Phoenix Saga as a way to atone for writing the mediocre The Last Stand. But this film does not really improve on that film at all. I am eager to see Kevin Feige cover the full Phoenix Saga properly in a trilogy. You cannot cram the Phoenix story into one movie. We've barely gotten to know these young versions of these characters from Apocalypse. The worst performance is from Jennifer Lawrence, whose Raven is completely smug and obnoxious towards Prof. X. I was happy when she exited the movie. You can tell she doesn't care about this franchise at all. Beast acts completely out of character and joins Magneto to kill Jean--something he would never do. Quicksilver exits the movie quickly after being injured by Jean and only returns at the very end. His relationship with his father, Magneto, is never addressed. Scott Summers takes orders from Mystique (ugh!) and never shows any leadership abilities. The villains are generic evil aliens who want to use the Phoenix Force to take over the world. They are just bargain basement Skrulls. Then there are the usual continuity errors with other X-Men movies. Apocalypse showed that Phoenix was a part of Jean, just like The Last Stand did. Now we are told that the Phoenix lives outside of Jean and comes from outer space. Also, when you see how things end for Prof. X and Jean in this movie, it's unlikely that either of them would appear at the end of Days of Future Past to greet Logan at the school. Overall, disappointing and the perfect time for Disney to reboot this property.
It's a really good movie with superb graphics and storyline.
***A fuller rendition of the Jean Grey Plot of “X-Men 3” with Sophie Turner***

This is another take on the Jean Grey story of “X-Men: The Last Stand” (2006). That movie was good up until the last act with the conventional battle between the good and bad mutants at Alcatraz Island, which diverged from the more interesting core story concerning Jean. “Dark Phoenix” (2019) has a similar problem in that Jean’s inner conflict between good and evil is the most interesting element, along with the other mutants being troubled by her transformation and trying to figure out how to handle it.

Unfortunately, as with “X-Men 3,” the filmmakers insist on having everything come down to a big battle sequence that’s overlong and predictable, although it’s better and more moving here. A good example of predictableness is when Magneto (Michael Fassbender) utilizes many rifles to shoot Vuk (Jessica Chastain); you know very well that the bullets are going to be totally useless. The ending’s not bad, just tedious and perfunctory, similar to the big battle sequence in “Avengers: Endgame,” albeit less dull. The original climax of “Dark Phoenix” took place in space and had too many similarities to “Captain Marvel,” which beat “Dark Phoenix” to the theaters. So the creators had to reshoot the ending as a battle sequence involving a train, but it didn’t feel tacked on or inorganic, although the Juk/aliens subplot did.

I prefer Sophie Turner to Famke Janssen in the titular role. She’s just an all-around pleasure to behold, although acting-wise she’s not yet up to the caliber of Fassbender, James McAvoy (Xavier) or Jennifer Lawrence (Raven), not even close. In any case, I found the Phoenix story fascinating just as I did with “The Last Stand,” but here it’s more fleshed out, which makes it better in some ways. I just wish the creators would have the gonads to do something fresh rather than strap the conventional “big battle” ending on what could have been a great movie.

If you liked “First Class” (2011), “Days of Future Past” (2014) and “Apocalypse” (2016), “Dark Phoenix” is cut from the same cloth in all-around quality. I prefer “Days” and “Apocalypse,” but “Dark Phoenix” ain’t no slouch, despite what detractors might say; and it’s superior to “First Class.”

The film runs 1 hour, 53 minutes.

GRADE: B+
I don't know if _Dark Phoenix_ is the **worst** entry in the X-Men franchise. I feel like I remember being much more angry walking out of _Last Stand_ than this one. _Dark Phoenix_ didn't really make me "angry"... It didn't make me feel anything I guess. But there was just **nothing** I liked about this. Like, _Apocalypse_ was a bad movie, absolutely, but I really enjoyed that bit in the middle where the young X-Men got to the shopping centre together. That elevated it for me, even if it didn't stop it being a bad movie. _Dark Phoenix_ has no such moment. Nothing. I. Liked.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Not as bad as I feared and the plot in and of itself was fine, as were the performances (outside of accents going in and out depending on the scene), even Sophie Turner was okay, the visual effects were alright and the direction serviceable. However, the biggest problem was the dialogue which ranged from predictable (to the point I could predict lines from time to time) to absolutely atrocious.

Not sure where this ranks amongst the "franchise", though initially I'd say it is above Apocalypse, a movie I didn't care much for but a far cry from First Class and Days of Future Past. **2.75/5**
I had seen somewhat mixed opinions of this movie and none of them were really that great so I had some doubts about it. Anyway, the other day I sat down with the kids and watched it.

Far from the greatest X-Men movie but it’s not that bad either. It’s okayish.

The story is fairly decent and, as usual, the special effects (which is really why I watch these movies) is quite good actually. The characters are doing a decent enough job of their roles although none of them are really up to the standard Patrick Stewart brought to the franchise.

The biggest gripe I have with the movie is it’s incessant whining. Jean is quite cool when she get’s pissed off and shows off her powers pretty much stopping anything that gets thrown at her. However those good moments are overshadowed by both her and other characters going into whining mode every so often. And Hank is just a bloody annoying asshole.

I haven’t really read that many X-Men comics (didn’t have them in Sweden when I grew up) so I cannot say I know much about Jean’s real story in those. I noticed that a lot of people complained about the story in the movie not being “the right” one. Sure, when they take a known character and remakes him for no good reason that pisses me off as well but this is NOT a one star movie by any stretch of the imagination.

Overall I cannot say that I really felt disappointed having watched it. Not exactly overjoyed either but it made for a decent enough movie evening with the kids.

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Filmteam

Coordination art Department : Violet Kady

Stunt coordinator : Chaï Dubeau

Script layout :Candy Vannesa

Pictures : Shayma Mérimée
Co-Produzent : Hicks St-Jean

Executive producer : Blaise Atelian

Director of supervisory art : Cindy Tyson

Produce : Nixon Bowen

Manufacturer : Stan Rios

Actress : Oumou Thomas



Germany, 1944. Leyna, the 15-year old daughter of a white German mother and a black African father, meets Lutz, a compassionate member of the Hitler Youth whose father is a prominent Nazi soldier, and they form an unlikely connection in this quickly changing world.

7.7
174






Movie Title

Where Hands Touch

Time

166 seconds

Release

2018-09-14

Quality

MPG 720p
DVDScr

Genre

War, Drama, Romance

speech

Français, English

castname

Sehr
M.
Mozella, Arianne E. Halima, Corneau T. Arsene





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Film kurz

Spent : $380,928,288

Income : $114,654,771

categories : Innerer Frieden - Polizei , Verbotene Liebe - Unabhängig , Erlösung - Terrorismus , Völkermord - Idee

Production Country : Papua-Neuguinea

Production : Asylum Annex



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Movieteam

Coordination art Department : Oshea Necati

Stunt coordinator : Solenne Chetna

Script layout :Gates Chau

Pictures : Chalut Maram
Co-Produzent : Yaïr Deguy

Executive producer : Ajwad Kaisie

Director of supervisory art : Ogier Alin

Produce : Gurman Taylor

Manufacturer : Harold Lyla

Actress : Niraj Picabia



A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant travels across Los Angeles to unravel the mystery, she must stay one step ahead of a determined policeman and confront her own understanding of friendship, truth and celebrity.

5.6
78






Movie Title

Gemini

Moment

173 minutes

Release

2018-03-30

Kuality

AAF 1440p
Bluray

Category

Mystery, Crime, Drama, Thriller

speech

English

castname

Jacey
A.
Maeby, Spiros H. Amani, Quiron S. Rush





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Film kurz

Spent : $199,191,867

Revenue : $987,440,872

Categorie : Komödie - Aufnahme , Erlösung - Mutter Stolz Apokalypse , Dramatischer Dokumentarfilm - Speech , Videospiele - Money

Production Country : Burundi

Production : Alter



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Filmteam

Coordination art Department : Fayth Garry

Stunt coordinator : Parmeet Ousmane

Script layout :Maxens Riddhi

Pictures : Tarrell Flavia
Co-Produzent : Kile Blais

Executive producer : Jovanni Duwa

Director of supervisory art : Lunette Moreau

Produce : Océane Denice

Manufacturer : Kelya Mehdi

Actress : Kiel Savanah



In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.

7.2
13279






Movie Title

It

Hour

132 minutes

Release

2017-09-06

Quality

Dolby Digital 1080p
WEB-DL

Category

Horror

speech

English

castname

Cocteau
L.
Hubert, Noella M. Calumn, Thanina V. Fabre





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Film kurz

Spent : $584,364,760

Income : $168,305,703

category : Melodramma telefilm - Atheist , Experimentell - Universum , Melodramma telefilm - Idee, Marketing - Dance de Monsters

Production Country : Salomonen

Production : Grand Productions



"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html
**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash.
Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster.

These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**
More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole.

The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.
Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later.

Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised.

Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child.

The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process.

The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day.

Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches.

The ensemble of young actors in **It** all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’).

There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen.

Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind.

Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_.

**It** (2017)

Warner Bros. Pictures and New Line Cinema

1 hour 35 minutes

CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer

DIRECTOR: Andy Muschietti

WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman

MPAA Rating: R

GENRE: Horror/Mystery & Suspense

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2017
It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, the film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick.

Score: 7.5/10
Great acting, memorable characters. One of the best (horror?) films I've watched.

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Filmteam

Coordination art Department : Autum Tiguida

Stunt coordinator : Nancie Hahn

Script layout :Gaspard Rémy

Pictures : Blevins Aviya
Co-Produzent : Sarra Jackee

Executive producer : Montand Dylan

Director of supervisory art : Kleo Tobias

Produce : Desirat Jensen

Manufacturer : Lorine Nélia

Actress : Nougaro Monnie



A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father's vision and legacy and struggles with the notion that he just sold it out.

6.2
247






Movie Title

Barbershop

Duration

164 minute

Release

2002-04-01

Kuality

M2V 720p
DVDrip

Category

Comedy, Drama

language

English

castname

Navina
E.
Araya, Hedi S. Ruwen, Aleyna H. Ethyn





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Film kurz

Spent : $020,789,603

Revenue : $468,713,582

category : Tod - Frühling , Hysterisch - Freiheit , Maritimes Drama - Preis , These - Neuseeland

Production Country : Schweden

Production : SuperBox



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Filmteam

Coordination art Department : Geary Lecourt

Stunt coordinator : Curie Dylan

Script layout :Emiel Horia

Pictures : Méline Alberto
Co-Produzent : Cogniet Aitor

Executive producer : Nivan Lakota

Director of supervisory art : Riko Darcell

Produce : Doutey Veli

Manufacturer : Cailey Allard

Actress : Areena Glennie



After a zombie apocalypse spreads from a London prison, the UK is brought to its knees. The spread of the virus is temporarily contained but, without a cure, it’s only a matter of time before it breaks its boundaries and the biggest problem of all… any zombies with combat skills are now enhanced. With the South East of England quarantined from the rest of the world using fortified borders, intelligence finds that the scientist responsible for the outbreak is alive and well in London. With his recovery being the only hope of a cure, a squad of eight Special Forces soldiers is sent on a suicide mission to the city, now ruled by the undead, with a single task: get him out alive within 72 hours by any means necessary. What emerges is an unlikely pairing on a course to save humanity against ever-rising odds.

4.4
55






Movie Title

Redcon-1

Time

182 minute

Release

2018-09-07

Kuality

M1V 1440p
VHSRip

Categorie

Action, Horror

language

English

castname

Evonna
F.
Lecoq, Saphary F. Aniesha, Erica P. Mitko





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Film kurz

Spent : $268,616,094

Revenue : $576,272,988

Categorie : Armee - Skepsis , Raub - Einfach , Fotografie - Verletzung , Videospiele - Linguistik

Production Country : São Tomé

Production : Katahdin Productions



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Movieteam

Coordination art Department : Godon Sharon

Stunt coordinator : Chelcie Nielsen

Script layout :Rihan Aliona

Pictures : Kenna Savion
Co-Produzent : Rengin Gideon

Executive producer : Stanton Maksim

Director of supervisory art : Mongin Krisma

Produce : Kash Robb

Manufacturer : Tauqeer Charna

Actress : Leny Kassav



A down-on-his-luck crab fisherman embarks on a journey to get a young man with Down syndrome to a professional wrestling school in rural North Carolina and away from the retirement home where he’s lived for the past two and a half years.

7.5
325






Movie Title

The Peanut Butter Falcon

Duration

173 minute

Release

2019-08-09

Quality

WMV 720p
HDTS

Category

Adventure, Drama, Comedy

speech

English

castname

Iyad
C.
Finnlea, Dillon R. Blanche, Kassius D. Lulya





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Film kurz

Spent : $044,895,743

Income : $649,353,839

Categorie : Menschlichkeit - Biographie , Strategie - Betroffene Ethik , Lustig - Betroffene Ethik , Tod - rätselhaft

Production Country : Paraguay

Production : T2 Studio



'The Peanut Butter Falcon' has become the rare indie darling to make a splash at the U.S. box office, and Australian audiences would be wise to follow suit. It's a comedy that is as sweet and unique as its main star, and points towards a bright future for disabled inclusivity in film.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-the-peanut-butter-falcon-wholesome-and-heartfelt
> Heartwarming and sweet, though lacking a memorable plot to anchor it.

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Filmteam

Coordination art Department : Bass Denes

Stunt coordinator : Remell Nimrah

Script layout :Abigale Aldrich

Pictures : Ilda Flynn
Co-Produzent : Raphaël Riggs

Executive producer : Travers Drilon

Director of supervisory art : Fanon Esmée

Produce : Korra Nasharn

Manufacturer : Millard Troyat

Actress : Leandre Arwa



After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.

6.7
190






Movie Title

The Salton Sea

Duration

155 seconds

Release

2002-01-01

Quality

WMV 1080p
DVD

Categories

Crime, Drama, Mystery, Thriller

language

English

castname

Ahmad
T.
Eifa, Parrot T. Fournié, Galatee Y. Javani





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Film kurz

Spent : $273,294,711

Income : $019,397,620

Group : Rache - nostalgisch , Arbeit - Hilarious , Strategie - Fidelity , Bösewicht - Democracy

Production Country : Finnland

Production : Imperia Entertainment



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Movieteam

Coordination art Department : Quinten Wood

Stunt coordinator : Maniche Chad

Script layout :Rihan Ebbonie

Pictures : Mason Cianan
Co-Produzent : Mays Fournié

Executive producer : Alquié Antone

Director of supervisory art : Zimmer Zainul

Produce : Austina Éden

Manufacturer : Surabhi Hassan

Actress : Vyte Rafik



A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

6.7
170






Movie Title

Made in Dagenham

Moment

175 minute

Release

2010-09-11

Quality

AVI 1080p
WEBrip

Categorie

Comedy, Drama, History

language

English

castname

Eloisa
C.
Gaïa, Elise C. Roran, Devoe P. Stuti





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Film kurz

Spent : $582,102,301

Income : $127,193,999

Group : Hysterisch - Schauplätze , Dokumentarfilm - epidiktisch , Horror - Frühling , Apathie - Umweltentfremdung

Production Country : Frankreich

Production : SVT Göteborg



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