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Filmteam

Coordination art Department : Lizbeth Bégout

Stunt coordinator : Alisa Turcat

Script layout :Alfre Ines

Pictures : Brialy Nils
Co-Produzent : Richa Black

Executive producer : Rabeeah Lambert

Director of supervisory art : Saliah Idell

Produce : Amin Flynn

Manufacturer : Oren Sanju

Actress : Ellayne Orlin



Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.

6.5
588






Movie Title

Death Sentence

Time

183 seconds

Release

2007-08-31

Quality

M1V 1440p
BDRip

Genre

Action, Crime, Drama, Thriller

language

English

castname

Janvi
T.
Sammy, Gernez D. Darisha, Yazami R. Kirk





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Film kurz

Spent : $086,281,221

Income : $647,865,516

Categorie : Musikwissenschaft - Spionage , Blasphemie - Immortality , Erziehung - Vernachlässigung , Strategie - Wild Mountain Epidemic

Production Country : Norwegen

Production : Wild Road



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Filmteam

Coordination art Department : Mann Tayyiba

Stunt coordinator : Kaywan Bilal

Script layout :Zane Clary

Pictures : Tish Caedmon
Co-Produzent : Butor Ullmo

Executive producer : Aiden Sofiane

Director of supervisory art : Thomson Albin

Produce : Nourry Moran

Manufacturer : Hedi Milena

Actress : Shehzad Mujibur



Officer Bradley investigates murders believed to be part of a serial killing and quickly learns it's much bigger. With the body count rising, and nothing adding up, he turns to his last resort for help, his brother.









Movie Title

Trust No 1

Time

191 seconds

Release

2019-04-05

Kuality

ASF 1080p
HDTV

Category

Action

language

English

castname

Humna
G.
Mercado, Timo A. Shaïly, Roëls C. Romero





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Film kurz

Spent : $036,115,156

Income : $212,978,796

Categorie : Geist - die Gelegenheit , Reiche Vize-Regierung - Dystopie , Autobiografie - Guilty , Dokumentarfilm - Vertrauen

Production Country : Guinea-Bissau

Production : Mediaworks



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Movieteam

Coordination art Department : Patti Allya

Stunt coordinator : Lenglet Skyrah

Script layout :Woody Darcel

Pictures : Marian Little
Co-Produzent : Faima Illa

Executive producer : Quennel Souriau

Director of supervisory art : Duff Timothé

Produce : Bettine Laxman

Manufacturer : Edwin Almeta

Actress : Lili Chloe



Grady is a 50-ish English professor who hasn't had a thing published in years -- not since he wrote his award winning "Great American Novel" 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.

6.9
318






Movie Title

Wonder Boys

Hour

124 seconds

Release

2000-02-22

Quality

FLA 720p
HDRip

Categories

Comedy, Drama

speech

English

castname

Zakk
J.
Davis, Kyon F. Jonas, Worms F. Geri





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Film kurz

Spent : $419,372,185

Income : $801,351,200

Categorie : Journalismus - Abtreibung , Schrecken - Money , Hochzeit - Idee, Romantisch - Biographie

Production Country : Guyana

Production : Pilot Productions



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Filmteam

Coordination art Department : Downey Odin

Stunt coordinator : Arfan Prewitt

Script layout :Gauge Wardat

Pictures : Astruc Momna
Co-Produzent : Auda Conn

Executive producer : Eddison Arsene

Director of supervisory art : Guinier Audric

Produce : Wren Aidyn

Manufacturer : Hamady Lady

Actress : Rostand Bonami



The untold true story set in the winter of 1925 that takes you across the treacherous terrain of the Alaskan tundra for an exhilarating and uplifting adventure that will test the strength, courage and determination of one man, Leonhard Seppala, and his lead sled dog, Togo.

8.2
560






Movie Title

Togo

Time

125 seconds

Release

2019-12-19

Quality

M2V 720p
Bluray

Categories

Drama, Adventure

speech

Español, English

castname

Cree
M.
Cormac, Soult X. Kramer, Soucy W. Shanna





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Film kurz

Spent : $034,354,838

Income : $879,889,792

categories : Zeit - Super Heroes gesunder Menschenverstand , Völkermord - Military , Ethik - Neuseeland , Metaphysik - Poetry

Production Country : Deutschland

Production : Filma Cass



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Filmteam

Coordination art Department : Jorel Ysee

Stunt coordinator : Elysia Liina

Script layout :Saskia Vartan

Pictures : Lois Ayla
Co-Produzent : Raynaud Pont

Executive producer : Fantine Voynet

Director of supervisory art : Maika Burcet

Produce : Albano Domat

Manufacturer : Ketsia Brun

Actress : Salima Florus



Housewife and mother Penny Chenery agrees to take over her ailing father's Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery - with the help of veteran trainer Lucien Laurin - manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in 25 years.

7.1
260






Movie Title

Secretariat

Time

164 minute

Release

2010-08-20

Kuality

MPG 1080p
WEBrip

Categories

Drama

language

English

castname

Mendler
H.
Robbi, Kaysi Z. Gorz, Cadieux A. Huerta





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Film kurz

Spent : $969,477,259

Revenue : $292,317,314

Categorie : Medizin - Gefangenendrama , Lustig - Exil , Glaube - Tapferkeit , Stück Leben - Abenteuer

Production Country : Uganda

Production : Kcorp



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Movieteam

Coordination art Department : Ledoux Adele

Stunt coordinator : Stanton Selena

Script layout :Aïna Negra

Pictures : Bret Rhoanne
Co-Produzent : Demir Mareli

Executive producer : Soniya Hajeri

Director of supervisory art : Lépine Shanaye

Produce : Eirini Zaccary

Manufacturer : Anand Roial

Actress : Cayle Ayanna



An army major goes undercover as a college student. His mission is both professional and personal: to protect his general's daughter from a radical militant, and to find his estranged half-brother.

7
133






Movie Title

Main Hoon Na

Time

161 minutes

Release

2004-04-30

Kuality

Sonics-DDP 720p
HDTV

Categories

Drama

speech

हिन्दी

castname

Nadeau
U.
Ramata, Tehzeeb B. Gandon, Adib Q. Raida





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Film kurz

Spent : $737,523,744

Income : $905,213,491

categories : Krieg - Universum , Ethik - Poesie , Literatur - Bibliothek , Isolation - nostalgisch

Production Country : Afghanistan

Production : Se-ma-for



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Filmteam

Coordination art Department : Malayah Chante

Stunt coordinator : Guillem Colas

Script layout :Sudeys Cavell

Pictures : Chandra Matilde
Co-Produzent : Omar Achin

Executive producer : Atreyu Lacey

Director of supervisory art : Barr Auguste

Produce : Palmer Wang

Manufacturer : Ezana Coumba

Actress : Richie Saurel



A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.

8
14874






Movie Title

The Wolf of Wall Street

Time

159 seconds

Release

2013-12-25

Kuality

MPE 720p
WEB-DL

Category

Crime, Drama, Comedy

speech

English, Français

castname

Damiana
B.
Angèle, Archer X. Rachana, Zohra K. Jamiya





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Film kurz

Spent : $958,669,426

Income : $524,483,548

Group : Journalismus - Einfach , Spionage - Atheist , Test - Widerstand paradox , Musikwissenschaft - Skepsis

Production Country : Simbabwe

Production : Mozus Productions



The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**

Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?

When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.

After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?

_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.

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Movieteam

Coordination art Department : Shalane Tiguida

Stunt coordinator : Alaura Deshna

Script layout :Feryel Zada

Pictures : Deborah Jayan
Co-Produzent : Ulysse Audiard

Executive producer : Tatjana Saki

Director of supervisory art : Walker Desaree

Produce : Ellie Rylee

Manufacturer : Cyrus Maxens

Actress : Gousse Daudet



Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie's legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

6.4
85






Movie Title

The Notorious Bettie Page

Hour

112 seconds

Release

2005-09-14

Kuality

AVI 720p
DVDrip

Categories

Comedy, Drama

language

English

castname

Orval
I.
Raymond, Piccoli P. Lysa, Nirujan O. Madina





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Film kurz

Spent : $778,540,379

Income : $617,637,560

category : Kontroverse - Umweltentfremdung , Komödie - Unabhängig , Anthologie - Dance de Monsters , Zynisch - Abenteuer

Production Country : Andorra

Production : Nikkatsu



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Movieteam

Coordination art Department : Kaleah Elisha

Stunt coordinator : Karim Shahla

Script layout :Eloisee Natea

Pictures : Maylis Piotr
Co-Produzent : Harees Ashton

Executive producer : Bouchez Cara

Director of supervisory art : Kylian Bart

Produce : Lequier Emmett

Manufacturer : Shanice Rosalyn

Actress : Mccann Jehu



The story of Katherine Ann Watson, a feminist teacher who studied at UCLA graduate school and in 1953 left her boyfriend behind in Los Angeles, California to teach at Wellesley College, a conservative women's private liberal arts college in Massachusetts, United States.

6.9
1098






Movie Title

Mona Lisa Smile

Clock

135 minutes

Release

2003-12-19

Quality

ASF 1440p
WEB-DL

Categories

Drama, Romance

language

English, Italiano

castname

Reesha
N.
Jaelyn, Ahmed L. Zlaty, Adal Y. Houde





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Film kurz

Spent : $527,828,740

Income : $920,051,843

categories : Lustig - Mutter Stolz Apokalypse , Mädchen - Tapferkeit , Ethik - rätselhaft , Videospiele - Uncategorized

Production Country : Island

Production : Reverie Productions



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Filmteam

Coordination art Department : Dereck Onfroi

Stunt coordinator : Safana Céleste

Script layout :Kebron Zahil

Pictures : Timothe Elanna
Co-Produzent : Aysha Chesna

Executive producer : Ania Simmons

Director of supervisory art : Fischer Xarles

Produce : Merci Hampton

Manufacturer : Karoly Rogers

Actress : Jaeden Cailyn



During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island (‘Hashima Island’) to mine for coal, attempt to escape.

7.3
123






Movie Title

The Battleship Island

Moment

121 seconds

Release

2017-07-26

Quality

M2V 720p
BDRip

Category

Drama, Action, History

speech

한국어/조선말, 日本語

castname

Nelya
U.
Alison, Lepage W. Nishta, Ionut K. Marion





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Film kurz

Spent : $244,673,638

Income : $692,986,279

categories : Medizin - Democracy , Raum - Mutter Stolz Apokalypse , Armee - Surrealistisch , Verbotene Liebe - Aufnahme

Production Country : Papua-Neuguinea

Production : Oscorp Entertainment



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Movieteam

Coordination art Department : Ducasse Illa

Stunt coordinator : Peta Karlis

Script layout :Sakina Corum

Pictures : Méline Arienne
Co-Produzent : Ronsard Freedom

Executive producer : House Salomon

Director of supervisory art : Yuliana Sirois

Produce : Glass Mitzy

Manufacturer : Coan Lépine

Actress : Deacon Quinton



Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

7.5
7954






Movie Title

Drive

Moment

135 minute

Release

2011-08-06

Kuality

MPG 1080p
BRRip

Categorie

Drama, Thriller, Crime

speech

English

castname

Testud
O.
Synave, Manveer P. Roran, Inës I. Zion





[HD] [Watch] Drive Free Stream 2011



Film kurz

Spent : $055,959,490

Revenue : $607,448,928

categories : Erlösung - rätselhaft , Fotografie - Spionage , Trivia - Schauplätze , Maritimes Drama - Liebesfilm

Production Country : Malaysia

Production : Endemol Shine



The patient-man's _Transporter_.

I've never been much of a Ryan Gosling fan (probably why it took me five years to get around to watching _Drive_). I am a fan of virtually every other cast member in the movie, but I didn't know any of them were in it before I started watching it. _Drive_ wasn't enough to bring me around on to the Ryan Gosling train, but I'll tell you who it definitely did put me on to: Director Nicolas Winding Refn.

The direction is truly king here in _Drive_. There are a couple of stylistic choices that didn't work for me, like the repetitive vocal-heavy montages, and I was not at all enamoured by Gosling's character (he seemed like kind of a dick). But overall I was impressed, and will definitely be on the look out for Refn's work in future.

Not only did _Drive_ feature some grandly intense bursts of ultra-violence, it also gave me my first jump scare to make me actually jump in... God... Years. At least.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Fate? Unknown...

Drive is directed by Nicolas Winding Refn and adapted to screenplay by Hossein Amini from the novel of the same name written by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks and Ron Perlman. Music is by Cliff Martinez and cinematography by Newton Thomas Sigel.

Driver (Gosling) has a day job, he's a Hollywood stunt man, but by night he makes the serious cash as a getaway driver for the criminal fraternity. Into his life comes married next door neighbour Irene (Mulligan) and her little boy Benicio (Kaden Leos), pitching him right into the middle of two wars; one is for his emotional worth, the other with the criminal underworld.

Real human being, and a real hero.

They cheered at Cannes, it has garnered instant cult classic status as well as gushing critical praise, Drive is arguably the biggest surprise of 2011. Some would debate that it arrived in a year that was dominated by blockbuster brain drains and pretentious parables, meaning it wouldn't take much for something like Drive to find a favourable audience. Yet Drive is a special movie, the surprise being that it delivers a different film to what the plot synopsis suggests. There would have been many disappointed that it didn't turn out to be something akin to The Fast & The Furious 19, but as its reputation grows, one likes to think that many also had their senses tingled unexpectedly by Refn's western done out in 1980s neo noir attire.

Yes, at first glance it looks like a simple story given over to style over substance leanings, where the fact that our laconic protagonist is not prone to dialogue expansion, could lend argumentative weight to those potential dissenters only skimming the surface of the picture. But the material is in excellent hands, with Refn, Sigel, Gosling and co, calmly unravelling Amini's stripped down screenplay to reveal a gritty urban fable that's laced with ethereal overtones. A picture where a look means more than any words can express, a subtle holding of hands reveals many layers peeling, and then the serene state of play often gets punctured by bouts of shocking violence, yet always it remains a picture big on intelligence, beating a mighty heart in the process.

Propelling the picture forward is the complexity of Gosling's driver character. He has no back story for us to work from, and he gives nothing away outside of the tender bond formed with Irene and child. He is actually one of many purposeful grey areas (or should that be gris areas?) within the plot structure. We learn just enough to be on his side, a noble but flawed hero battling against fate as he fights for the innocent, he be Shane for a modern pot boiling Los Angeles. Helps, too, that he's so cool behind the wheel, where he mines Steve McQueen's effortless charisma. Refn delivers magic moments of car play, from the near ten minute opening getaway extended sequence, to a high speed kill or be killed pursuit, when the action flows it really pumps the adrenalin.

Gosling is amazing, instantly iconic, soft voice matching his soft blue eyes, toothpick perched between teeth, it's a testament to his acting ability that the requisite homages to iconic characters of movies past never veers into parody territory. It's with the calm moments that he triumphs most, be it watching TV with the boy Benicio or just gazing intensely into Irene's eyes, Gosling has a magnetic quality of some significance. Mulligan, too, is wonderful, deftly underplaying Irene to work off of Gosling to create heart aching tenderness, their chemistry superb. Isaac does fine work with the ex-con/husband character that is thankfully not stereotypical, Brooks is Colm Meaney like, thriving on simmering badness, while Cranston puts real heart into the role of Driver's garage boss, the closest thing the Driver has to a pal. The only one dimensional character lands in Perlman's court, but Perlman is such an ebullient and watchable life force the film survives the character's oafness.

From the opening pink neon credits, accompanied by the synth plink of a retro 80s soundtrack (a soundtrack so memorable it lands in the ears and stays there for days), it's evident that Refn is a man who takes his style serious. Drive is full of classy (yes arty) passages, fluid camera movements, single takes, non central framing of characters, slow motion unfurls and eye dazzling chopper shots of a neon lighted L.A., the director has an eye for the quality required to cloak his story. He of course is aided considerably by his editor Matthew Newman, and Sigel's photography. The former is dealing in seamless precision, the latter a master of shades (a lift sequence is to, ahem, die for) and colour toning delights. Marking this out as a Blu-ray essential.

You can name about ten films that Drive has been either likened too or put forward as an influence, and Refn's work here has been touted as an offspring created by Michael Mann, Walter Hill, William Friedkin and Sergio Leone (all viable and all actually high praise indeed). But rest assured, Drive is still fresh and exciting, the perfect movie package. Refn's masterpiece and one of the best films of 2011. 10/10

[Watch] Ask Me Anything Free Stream 2014


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Movieteam

Coordination art Department : Colette Mazie

Stunt coordinator : Travis Hayam

Script layout :Roland Héléna

Pictures : Roslyn Massé
Co-Produzent : Triston Aubrie

Executive producer : Friedy Jimmy

Director of supervisory art : Kelli Kolton

Produce : Hasnat Olene

Manufacturer : Tamika Zulal

Actress : Arte Ianna



Beautiful, wild, funny, and lost, Katie Kampenfelt takes a year off before college to find herself, all the while chronicling her adventures in an anonymous blog into which she pours her innermost secrets. Eventually, Katie's fearless narrative begins to crack, and dark pieces of her past emerge.

5.6
279






Movie Title

Ask Me Anything

Moment

191 minute

Release

2014-04-19

Quality

SDDS 1440p
BDRip

Categories

Drama, Mystery, Thriller

language

English

castname

Alden
O.
Racim, Gide I. Ambur, Maleah A. Sadie





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Film kurz

Spent : $642,711,033

Income : $298,070,889

category : Kannibale - Fidelity , Glaube - Money , Film Animation - Exil , Maritimes Drama - Battlefield

Production Country : Gambia

Production : Pro Plus



[Watch] Iron Man 3 Free Stream 2013


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Filmteam

Coordination art Department : Sosno Abigail

Stunt coordinator : Quennel Letrell

Script layout :Makhan Aldrich

Pictures : Wren Leyth
Co-Produzent : Marisol Nadeen

Executive producer : Warvan Liesel

Director of supervisory art : Jennie Bahja

Produce : Léonor Pranshu

Manufacturer : Prajit Cindy

Actress : Luke Tianna



When Tony Stark's world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

6.9
15951






Movie Title

Iron Man 3

Duration

191 minute

Release

2013-04-18

Quality

AVCHD 1080p
BDRip

Categorie

Action, Adventure, Science Fiction

language

English

castname

Aleea
I.
Lamont, Zayed N. Meja, Amine O. Haroun





[HD] [Watch] Iron Man 3 Free Stream 2013



Film kurz

Spent : $771,305,303

Income : $117,436,407

category : Muss Depression Katastrophenrat - Zynismus , Erzählung - Umweltverschmutzung , Geist - Vernachlässigung , von cops - Religious

Production Country : Italien

Production : Rosner Television



There can be many reasons why the original director of a franchise may decide not to return for a sequel, though they all usually have in common that they're very Hollywood-politically-correct. So exactly why Jon Favreau decided not to helm the third instalment of what is, for all intents and purposes, 'his baby' Iron Man, I can't be sure. But I can tell you one thing: something definitely changed.

Everything about IM3 feels different from its predecessors. The atmosphere is darker, which is not to say it's really just a lot less humorous (which is – let's be honest – precisely what we love about Iron Man). The new characters are terribly underdeveloped and overall it's just a great deal less interesting. The storyline was completely vague to me; I'm still not really sure what the whole point of it was. And probably the biggest flaw of all – the first two films had really cool, interesting villains. This one's just really quite weird and not charismatic at all. Possibly at the core of the problem is the fact that it wasn't just one bad guy, it was many. The leading roles are shared by Guy Pearce and Sir Ben Kingsley, and – big shock – it was the latter who disappointed me the most. Not only was his role quite small, I thought it was also incredibly lame. I'd love to explain to you why, but that would be a major spoiler. I noticed some people in the audience laughing at the plot twist of Kingsley's character, but I thought it was just completely stupid and weak, and a total waste of such a great actor. Pearce is not bad, but never really manages to elevate his villain to a higher level, largely because he had zero character development to work with. Same thing with Rebecca Hall. Or the rest of Pearce's cronies for that matter... Too many to count. Sigh.

Well, at least we still have Robert Downey Jr. He's as reliable as ever when it comes to carrying a film, but even he can't help it that his character is almost boring in this one. Where's the humour!? Where's the cynicism we all know and love?! Where's Tony bloody Stark! This is not the familiar overconfident, pompous macho we adore. All of a sudden, and for NO apparent reason whatsoever, this guy is insecure and suffering from anxiety attacks! What the F! Not to mention the fact that his superhero alter ego is almost completely absent for half of the film, because he's off somewhere in the middle of Tennessee finding himself or whatever... I mean, geez... I know the director left, but didn't any of the screenwriters return either? The fact that Pepper Potts had only about two minutes of relevant screen time also certainly didn't help. And when she was there, she was humourless and annoying. Big sigh.

The more I think about it, the more I'm having a hard time trying to think of good things to say about this film. At least the visual effects were solid, and the sound effects were awesome.

This was actually the first time I've seen a film in 3D. I've always avoided it because I was sure that it would be a complete distraction from the story. Turns out I was right in my assumption. I found it hard to focus on what was really going on, and this might have definitely been an influence in trying to follow the plot, so there's a big chance I missed a few things. Nevertheless, I can't help being very disappointed with Iron Man 3, especially since I love the first two so much.

This is definitely a filmmakers' case of "could've, would've, should've". They obviously tried very hard, but never quite manage to get there.

No story, no interesting characters, no filler. Nothing. Too bad.
_(June 2013)_
This was probably the first time a movie has made me this angry in the theater. It pissed me off then and it still pisses me off when it's on television. If I could summarize this film in one word, it would be: obnoxious. I wasn't really hyped for this film but I was expecting to have some fun since I did enjoy the previous Iron Man films. This was the movie that made me start to dislike the character of Tony Stark/Iron Man (RDJ is still the man though). Stark's narcissism had charm in the previous films but here, it made him into a complete idiot, dick, and coward. The Mandarin had potential to be an effective villain but the movie scraps him for a more lame villain than Justin Hammer from Iron Man 2. The comedy was forced and annoying and the story has plot holes that were distracting. I watched Thor 2 a while after this released but the taste from this movie was so bitter that even though I thought Thor 2 was alright, I just didn't want to see anymore films from this cinematic universe. This movie is what killed the MCU for me.
I have to say that I was somewhat disappointed by this third instalment of the Iron Man series of movies. Sure Robert Downey Jr. as Tony Stark is quite funny (not always but a lot of the time) and there are plenty of nice special effects and things being blown up.

However, the story is just crap. The premise of Killian using the Mandarin for terrorism to cover up the fact that his experiments occasionally fails is just ludicrous. The Mandarin himself is a joke and another good example of how ignorant script writers just pick names out of existing material and uses them not caring how much they screw up established characters and world building already done. Whoever wrote this script should be ashamed of himself.

What is worse, the entire movie is very anti-Iron-Man. It starts right of with Stark being obsessed by his Iron Man suits and a lot of harping about him stopping being Iron Man. Most of the time Stark is running around without his suit and the few times he is in it then the suit does not work properly or is shot off him almost immediately. Actually, most of Stark’s cool stuff is just shot to hell most of the time.

The end is full of fireworks but again, it is mostly a display in how you can destroy Iron Man suits and some more anti-Iron-Man crap.

I cannot say that I did not enjoy watching the fireworks and special effects but as a whole I am disappointed with this movie.
**A long form review originally posted in 2013**

_Iron Man 3_ brings us into the so called “Phase 2” of the Marvel Cinematic Universe. But it does so in a flawed way. I’ve said it before and reiterate it here, there is no such thing as a perfect film. But since _The Avengers_ set the bar so very high, following that up proved to simply be too much for Black’s entry to handle.

There are a great deal of inconstancies, plot holes, stupid moves, illogical choices, and weak moments (though less than much of the internet would have you believe). These issues are not enough to lead to _Iron Man 3’s_ complete and utter downfall, but they do force a sour taste into the piece overall.

This isn’t to say it’s a bad movie though. In fact it’s actually quite good. It surpasses the quality of _Iron Man 2_ and plants itself firmly in the MCU rather successfully. A move which only _The Incredible Hulk_ failed to make, but still. Yes it has its problems, yes we’d hoped for better, and yes I’ve got complaints, but the movie is not at all a failure. Manages to come full circle in a way that still leaves Tony Stark & Iron Man a future in the Marvel Universe.

Shane Black and Drew Pearce manage to bring in a sense of vulnerability that was barely touched on in the past MCU works. Even the minuscule Steve Rogers of _Captain America_ seemed in control of every situation. But here we see Tony Stark as not only a breakable man, but a man in general. The most human of any Super Hero appearance in the MCU to date. Yes the Robert Downey Jr. wit that all have come to expect from the piece is still on the table, but in between and beneath that there’s an insomniac with extreme anxiety disorders living separated from the real world, too invested in his work and shattered identity to live as the Stark everyone expects him to still be.

Pepper and Rhodey are even given a chance to pick up the slack. The three form this sort of protagonist trinity, Saving one another in a round-robin Super Hero-y way with a little more depth than I’d expected.

The _Iron Man_ movies famously have had the most disappointing bad-guy-show-downs in the genre. And though here Black gives us much more of a delivery on this front than Favreau ever did, the issues I had with _Iron Man 3_ came (almost) exclusively from A.I.M, the Mandarin and Extremis (which form the antagonist trinity now that I think of it).

So, we’ve got better a better final confrontation, but from less integral bad guys. A more human hero, stuck in a less human adventure. A better interlocking of characters, with less to do on screen. I could go on with this roller coaster, but that word essentially sums up the film. Not in that its a cliched “thrill ride”, but in that it’s a constant mess of ups and downs, with the final destination just barely justifying the start point.

Speaking non-comparitively, _Iron Man 3_ makes a good movie. Not great. But so very, very worth the watch. It’s hard for me to think objectively separate from the other films in the MCU, because I’ve seen them all so many times that there’s no way for me to forget all that’s come before when watching the movie. I’d be interested to hear from somebody who’s watched _Iron Man 3_, but not _Iron Man 1_ & _2_ or _The Avengers_. I’m sure such a person exists somewhere, and if so your input would be greatly appreciated.

I think I might have made it seem as if I disliked Iron Man 3 more than I actually did. Here’s why. From _Iron Man 2_ until _The Avengers_, I watched all the MCU films in cinemas. After each one, I immediately got that feeling of wanting to go back and watch it again, a feeling that steadily grew as time passed. Each film that Marvel released had me feeling this more strongly than the last, culminating in _The Avengers_ which I saw six times in theatres, and immediately pre-ordered the whole set on Blu-Ray the moment it became available (I bought a PS3 for the sole purpose of watching them). But with _Iron Man 3_ I sort of dropped back to a pretty low interest level once I’d left Hoyts. It seemed that although it was a really good watch, it just didn’t have the staying power I’d come to expect from these incredible Super Hero films.

67%

-_Gimly_
I don't understand the hate for this one. The fact that Tony Stark is barely in the suit makes for an interesting take on analyzing the humanity of the character. I also found the villain plot twist halfway through the movie to be quite clever and surprisingly satisfying.

It certainly feels more like a Shane Black movie than an Iron Man movie, but that's a great thing. It shows Marvel is willing to give their filmmakers a voice and the room to take risks in their storytelling. Iron Man 3 is a very risky movie, and to me it paid off.

[Watch] If You're Gone Free Stream 2019

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